In part 2, I wrote about drone polyphony. This contrapuntal dance is composed of fixed movement material with some instances of structured improvisation. As a compositional technique, counterpoint is found in many musical styles including Medieval music, gamelan, [not verified in body] and the music of West Africa. Multiple Choice: CIRCLE the letter of the best answer. Each fugue has its own structure that changes according to the composers invention and needs. Making Dance The Choreographer's Toolbox Form & Structure . a. Italy b. France c. Russia d. United States 2. 1. Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. Form . In part 1, I wrote about parallel polyphony. This week itâs contrapuntal polyphony. Traditional music of East Asia tends to utilize multiple melodies rather than balancing a single melody against harmonies. The 25 main themes are repeated and recombined over the course of the dance in their full and partial forms. B. In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. While there is no set terminology, members of the company most often refer to the different segments of fixed movement as themes. CHOREOGRAPHIC FORMS IN DANCE I. Sequential II.Contrapuntal III.Episodic IV.Other compositional forms 66. In part 3, I wrote about canonic polyphony. Once the choreographer has conceived key movement phrases, he or she can combine, manipulate and organize them into longer sequences, paying attention to:. CONTRAPUNTAL FORMS I. Where did ballet, as a theatre art, really start and develop? Musical Forms From the Baroque Period . CONTRAPUNTAL FORMS A. Not every culture has polyphonic or multi-part singing. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. A fugue begins with an exposition. CHOREOGRAPHIC FORMS SEQUENTIAL FORMS: Narrative, Simple Binary form (AB), Tenery Form (ABA), Theme and Variation, Rondu (ABACA), Non-Specified Sequential Form. CHOREOGRAPHIC FORMS IN DANCE 65. 16th Century Dance Forms The increasingly diverse repertory of dances in the 16th century is reflected in the large variety of dance compositions in the collections of lute, keyboard, and ensemble music of the time. PART 1: DANCE HISTORY A. When they do, it can take many different forms. In music theory, contrapuntal music appears in many forms. After the exposition the composer alternates between episodes and subject presentations. CONTRAPUNTAL FORMS: Situation, Dance by Chance, Canon (Round), Ground Bass and Fugue. The Exposition. 1. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. This is also referred to as âfree polyphonyâ. Forms: The Fugue. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. What is the best way to categorize the forms of dance? contrapuntal polyphony. The form of a dance determines the way it is organized. a. ethnic, ballet, modern, jazz b. street, folk, theatre c. social/recreational, theatre d. Ground Bass â single theme starts the dance and is repeated all the way through the dance while other contracting themes are simultaneously performed with it. Composer alternates between episodes and subject presentations is organized full and partial forms recombined. Composer alternates between episodes and subject presentations rather than balancing a single melody against harmonies Russia. 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