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I see dashes of character tucked between the panels and machinery — novelty posters and newspaper clippings tacked onto a corkboard, a child’s drawing hung on the far wall.eval(ez_write_tag([[728,90],'stanforddaily_com-banner-1','ezslot_5',189,'0','0'])); “The booth has taken on my personality,” Krikau says. “For a 1939 film, I would choose hits from 1939 or 1938, because you most likely would have heard something like that at the theater.”. And that was how I developed a love and a fascination for classic film. This site requires cookies, for account access and ticket The story of theatre. Friday & Saturday eves We need your help: All banner donations made today will support The Daily's new staff financial aid program. “And that people will continue to appreciate it, and sit in the dark, and be enchanted by what they see.”. A strikingly different image of the Bay Area emerges from Nagano’s California-hopping career — one filled with picture houses, auditoriums and ‘pizza and pipes’ restaurants, alive with the chimes and chords of organ music. It is a meticulously designed endeavor. “There was a motion picture being played in Los Angeles. “The magic of the theatre that never goes away is going into the auditorium, and the red curtains part and then you’re watching ‘Gone with the Wind,’ or ‘The Maltese Falcon,’ and you’re transported back in time.”. Written with Nina Raine's trademark wit. Tall Stories is a registered charity which has become internationally recognised for its exciting blend of storytelling theatre, original music and lots of laughs. Learn the benefits, Now playing until 28 Nov As for the theatre’s name, it was taken from a theatre from the 1730s, that once stood on Dock Street (now Queen Street). The company has received nominations and awards from TMA Awards and Critics Awards for Theatre in Scotland. changing Sitting at his desk at work, he cuts a quieter figure. I found this film! The Warner Theatre will present a live-streamed staged reading of BEDTIME STORIES by Norm Foster on Saturday, January 23, 2021 at 7:30 pm. Many of your ticketing questions will be answered in the tickets section of the Help Centre. A couple years ago we did a Gene Kelly festival and I was determined to do “The Young Girls of Rochefort,” which is a Jacques Perrin film and the last film that Gene Kelly did where he actually did a little singing and dancing. We're a student-run organization committed to providing hands-on experience in journalism, digital media and business for the next generation of reporters. I'm already a fan, don't show this again. A good story can take you all around the world without even leaving your home. Find out what Nina Raine's new play is all about from the cast. You’d come and hear the organ for a couple of hours! at The National Theatre.” Exploring the theme of “Life Now,” the episodes feature stories, songs, movement and crafts created to help families cope creatively with the challenges of life during the pandemic. your browser cookie settings. The V&A's Theatre and Performance collections chart the fascinating history of theatre in Britain from the middle ages to today. It’s the pinnacle of my career.”eval(ez_write_tag([[468,60],'stanforddaily_com-leader-1','ezslot_6',191,'0','0'])); I have to travel further afield to track down the final architect of the Stanford Theatre’s experience. And on those weekend nights, when Nagano’s melodies echo through the room and the picture flickers ever so slightly as Krikau changes a reel, it reminds us of the wonder it preserves. For many Charlestonians, the Dock Street Theatre is a symbol of the city, and its people’s enduring desire for life. Nagano’s attention to detail, cataloging music by the year to pair with the theater’s films like a sommelier, seems particularly hard to notice. It’s messy and a little cramped. Nagano plays the organ with a virtuoso-like abandon, arms rolling across the tiered keyboards like a dance. It’s a noisy environment, you’re looking out through portholes… a lot of people ask me, ‘What’s the film about?’ and I can’t tell them!”, “It’s not an easy job,” Krikau continues. The eerie, and sometimes deafening sound design from Nick Manning seems to emanate from all parts of the theatre, while James Farncombe’s dramatic lighting has precisely the desired effect. Contact Daniel Wu at dwu21 ‘at’ stanford.edu. Stories to Grow by presents Whootie Owl’s award-winning collection of Reader's Theater Play Scripts for Kids. Mortensen’s job requires her to be both part historian, part detective to scour the globe for the best preserved film reels to screen at the theater. “I’ve always been enamored with going to movie palaces,” he reflects. “So I’ve been here for a long time, and the movie-going world has changed dramatically in those, what is it, 30 years now? The other one is the Stanford Theatre. Read more at straitstimes.com. When I was growing up, I had access to old movies on TV, so I grew up watching ‘King Kong’ and the Shirley Temple movies and the Warner Brothers movies and things from the 30s and 40s. Learn all about the stars who have graced the stage of the … The Royal National Theatre is a registered charity no.224223. Written versions of the stories will be available on the Dundas Little Theatre website after performance. and they take you into parts of the theatre you normally wouldn't get to visit. I’ve interrupted a busy day of program scheduling and renovation, and someone stops by to discuss construction work on the roof as we talk. Hearing the same shades of excitement across both his and Mortensen’s recounts, it seems only fitting that Krikau settled in Palo Alto with the Stanford Theatre. Looking out over the theater’s auditorium from Krikau’s lofty perch, it’s hard to argue with that. And there seems to be little relief on the horizon as the gamut of arthouses, networks and streaming services competing for cinephiles’ attention continues to grow. And like the Hitchcock thrillers that hold court here, the theater saves its best for last. Naturally, he’s well prepared. So, is Ghost Stories as scary as the warnings suggest, well in a word yes. Book size a bit large and unwieldy. There’s an earnest pride about Mortensen as she describes her work and the theater’s history. “I have to say luck has been on my side — coming to the Stanford [Theater] in 1991 was just one of the strokes of luck I’ve encountered in my life.”. “It’s not for anybody,” he cautions. Putting faces to the various facets of the Stanford Theatre’s experience has only made it even harder to square away the theater with its surroundings. Still, Nagano speaks with a familiar enthusiasm and is just as eager to discuss his work as Mortensen and Krikau. Your support makes a difference in helping give staff members from all backgrounds the opportunity to develop important professional skills and conduct meaningful reporting. Daniel Wu '21 is a Desk Editor for News, and also contributes to Sports, Arts & Life and The Daily's Graphics team. It Playing to the crowd, he explains, is its own reward. When I share my experience with theater manager Cyndi Mortensen, she nods with a knowing smile. “You know, it’s really exciting,” she says. Following a hugely successful virtual tour of ‘The Snail and the Whale’ over October half-term, leading family theatre company Tall Stories are proud to present a special live-streamed version of their much-loved stage adaptation of ‘The Gruffalo’ from 11-13 December 2020. Forty-two years later, at the controls of a projection booth he’s made his own, there’s a satisfying completeness to his story. When I arrive to see Katherine Hepburn’s 1933 rendition of “Little Women,” I’m eased away from the streets of Palo Alto by the baseball-style cursive of the theater’s logo and the low-watt light bulbs studding its marquee. But the sterile surroundings of his open-plan office don’t do him justice. Buy Stories of the Theatre by Anthony Wynn (Paperback) online at Lulu. A vibrant new play. “I have a book that lists all the hits — the top 40, the hit parade — and they go back to the beginning of 1900, they list every year,” Nagano says. That’s no longer the thing — if you want to play the organ a lot, you’re going to have to have a special venue like the Stanford [Theatre].”, It’s easy to see why the Stanford Theatre keeps Nagano around. When the lights come down, very much like at the Stanford Theatre, the spotlight turns on and you see this big console rising out of the pit in the center of the floor — and I had never seen or heard anything like it.”, A musician from youth, Nagano followed through with his childhood fascination and played the organ for auditoriums, restaurants and theaters across California. Visit the Lulu Marketplace for product details, ratings, and reviews. 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